Расслабленные представления: Поддержка исполнителей и зрителей

Сделайте свое выступление привлекательным для исполнителей и зрителей с различными потребностями с помощью этих идей для инклюзивного мероприятия.

Расслабленные представления: Поддержка исполнителей и зрителей
Расслабленные представления: Поддержка исполнителей и зрителей
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Расслабленные представления: Поддержка исполнителей и зрителей

If you are planning a performance as your culminating event, there’s a lot you can do to make the experience positive and comfortable for your audience—in other words, a “relaxed performance.” This document offers suggestions for welcoming audience members with a range of needs, as well as preparing students to be audience members during a field trip or special event.

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The term relaxed performance emerged around 2015 and simply means that the performance supports audience members (and performers) in experiencing the show with accommodations that make the experience more accessible, whether they need more or less sensory stimulation, need to stand up and move, need easy access to the bathroom, or a space to take a break, etc.

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Identify—and make known—what supports are available: If you’re able to provide headphones/sunglasses, fidget tools, reserved aisle seating, break space, etc.

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Announce before the show that this is an inclusive space: It is okay to make noise and enjoy yourself during the show, or get up if you need to.

Below are suggestions for making your performance—or any kind of sharing—a more comfortable experience for all. While not all of these ideas may be possible given your space or budget, we recommend considering them. These suggestions are based on events taking place in a theater space, but many tips can be applied to performances in classrooms and nontraditional spaces.

If you anticipate a performance in your residency, we recommend familiarizing yourself with these suggestions early in your timeline so that you can initiate conversations with your Classroom Professionals, administrators, or facilities managers to help reduce the obstacle of time as a barrier to enacting change. It is possible that your performance space has never considered or implemented these kinds of accommodations before, but many of the tools and spatial capabilities may already be present in the room. For more information about these tools—and more on how to adapt what materials are already available to suit your students’ specific needs, explore Учебные материалы и инструменты. You may also find support through exploring this resource created by TDF for their Autism Friendly Theater Training Program.

To Create a Relaxed Performance Experience, Offer the Following:

  • Lower the volume for all sound (music, mic, sound effects, etc.).
  • Remove any strobe or flashing lighting effects.
  • Raise the house lights by 30% or more during the performance.
  • Seat audience members strategically. For audience members sensitive to loud noises, seat them away from the speakers; for audience members who are hard of hearing, seat them nearer to the speakers. You can offer these areas as recommendations to allow audience members to make their own choices.
  • Provide headphones for those with sound sensitivity, and sunglasses for those with light sensitivity.

Yellow noise-reducing headphones Blue sunglasses

  • Provide small stress balls or other fidgets that can help audience members focus and sit still.
  • Consider adding a coloring page into the program to give audience members something to do while they are waiting.

Multicolored koosh ball White hand squeezing sac of colorful gel.

  • Consider designating a quiet space where audience members (and performers) can go if they need a break.

Young white boy with glasses and book sitting on a beanbag chair.

  • For those who need quick access to an exit and don’t want to disturb a whole row of audience members, offer aisle seats.

  • A Social Story is given to audience members in advance so that they know what to expect before, during, and after a performance.
  • Before or while making your Social Story, it is worthwhile to pause and reflect on the possible disparities between the spaces your students experience in daily life and the space they will enter into for the performance.
    • What social status does this space have?
    • Is it different from your students’ daily spaces?
    • How can your Social Story help your students’ social/emotional journey through a new space, alongside their practical and dramatic experiences in the space?
  • Remember, the goal of a Social Story is to help prepare your students so that they feel comfortable in a new space—not to prescribe a specific kind of “good” or “socially acceptable” behavior in a new space.
  • Social Stories should be shared at least one week ahead of time.
  • Social Stories provide details about the physical space (e.g., “An usher will take your ticket and lead you to your seat. If you are overwhelmed, you can sit in the lobby”) and the performance or event itself (basic plot of the show, what the performers/costumes look like, moments that are scary, loud, or visually overwhelming).
  • Your Social Story should be a visual and verbal (e.g., video, slideshow, packet, etc.) description of what to expect.
  • If developing a Social Story for a student performance, consider co-creating these with the students performing.

  • Sometimes even the best-intentioned theatergoers have just one idea of what it means to be a respectful audience member. It’s helpful to remind everyone that all are welcome to enjoy the show in their own way. It’s okay to get up and come back. Encourage the audience not to judge other audience members’ behavior, or deem the space a “no-shushing” zone.

  • Check in with audience members to see if there’s anything you can do to make their experience more enjoyable.

  • Those who need a break from sitting in their seat, along with their caregivers, might still want to see what’s happening onstage. While this may not be possible in school spaces, it’s important to have a sense of all of the tools that exist to make performances more inclusive and comfortable for all involved.

  • Remember, these are recommendations, not prescribed solutions. Every student’s needs will be different, just as every space’s capabilities will be different—as well as every Teaching Artist’s resources and support team. Be thoughtful, but also realistic.
  • Your Classroom Professionals, school staff, and principal are all valuable resources and collaborators in transforming spaces for greater inclusivity. Your knowledge and enthusiasm for inclusive practices, combined with their institutional and spatial knowledge, can help tailor your efforts to the specific needs of your students and space.
  • Consider enlisting their help in creating and implementing intentional seating arrangements, in identifying a second space for a sensory break if the size or layout of your performance space cannot accommodate one, and in how to thoughtfully balance budgetary, time, and resource constraints alongside your individual students’ needs.

Совет по дистанционному обучению и обучению:

Offering a breakout room where participants can engage in their own sensory experience at home, away from the main event, can be an excellent way to incorporate inclusive practices into your digital facilitation.

Внешние ресурсы

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