Teaching with Another Teaching Artist: Styles and Best Practices

Explore different models for team teaching and pick the model(s) that will best meet the needs of your students and your lesson.

Teaching with Another Teaching Artist: Styles and Best Practices
  • Planning
  • Classroom Partners

Teaching with Another Teaching Artist: Styles and Best Practices

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Be honest with your partner about how you are feeling, and where you are—mentally, physically, emotionally—that day.

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Celebrate and lift up your partner’s artistry and successful teaching moments.

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Assigning Roles in Transitions: Teaching Artists decide in advance who will lead the transition into each activity and then will ‘go with the flow’ within the activities.

  • One Teaching Artist leads an activity and the other supports. This support can include side-coaching students, modeling concepts, scribing, highlighting visuals etc.
  • This style works well when one Teaching Artist has specific expertise in the art form/concept or when the content of the lesson is complex and students may need additional one-on-one support or side coaching.

  • Teaching Artists split students into groups and each Teaching Artist leads a group. This can be done to teach two different things to each group, or to differentiate the way something is being taught. This style is often utilized in the ‘creation’ part of a lesson plan or a residency to generate or rehearse content. Parallel teaching could work well for students more comfortable participating in a smaller group.

  • Students and the content/tasks are divided into three or more groups. Each Teaching Artist (and any other Classroom Professional assisting with instruction) teaches one section of content, while the remaining sections are focused on independent practice activities. Students rotate between all of the stations.
  • This style is helpful for creating more student choice and is an opportunity for self-regulation. It may be difficult for students with sensory sensitivity as stations may feel chaotic compared to a typical class setting.

  • Teaching Artists agree that they will be prepared to lead all parts of the lesson plan and will decide in the moment who will take the lead or who will be in charge of facilitating and/or supporting during each activity.
  • This style may be best suited for classrooms with a wide variety of needs where flexibility is paramount. This usually works best when Teaching Artists have taught together before and have built a strong relationship and understanding of one another’s teaching styles.

  • Teaching Artists will assign who will lead each section in advance, with an understanding that the other Teaching Artist may jump in to support, clarify, or model when inspired.

  • Teaching Artists decide in advance who will lead the transition into each activity and then will ‘go with the flow’ within the activities.
  • This model works well for lesson plans with many transitions or for Teaching Artists who want to provide a lot of flexibility to respond to the reality of the classroom but work well within a set structure.

  • Both Teaching Artists or one Teaching Artists is “in-role” as a character. This style of teaching allows for effective modelling and is also useful to theatricalize an artistic concept. If only one Teaching Artist is in role, the other Teaching Artist may be in charge of providing context, giving instructions, “introducing” the special guest, or hot-seating/interviewing the special guest.

Remote Teaching and Learning Tip:

Additional Questions to Consider when Preparing for Distance Learning:

  • Who will be in charge of what technical elements? (e.g., admitting participants into the room, spotlighting participants, sharing screens, assigning breakout rooms, playing music, monitoring the chat, posting instructions into the chat)
  • Will these roles change at any point in class?
  • What is each Teaching Artist’s personal tech set up? How is their internet connection?

External Resources